publication date: 2016
In this slim novel, Odafe Atogun presented a surreal Nigeria. One in which political prisoners send letters without anything leaving their jail cell, guitars have the power to condemn someone to death, and the dictatorial Nigerian president declares all forms of music to be illegal. Taduno’s Song followed singer-in-exile Taduno as he attempted to rescue his girlfriend from prison in Lagos, Nigeria. Taduno’s main weapon was his music. He used it to convince, to calm, and to protest. His crusade was hampered, however, by the fact that no one, including his family and friends, remembered who he was once he returned from exile.
The book used absurdist and magical realist themes and story lines. When Taduno was in exile, all the houses at the town he was exiled to were empty and open for him to use. When a music producer’s Afro was cut off he seemingly lost all his power. The entire story was an epic battle for Taduno’s music, which was used to accomplish almost anything. I wasn’t sure if I was supposed to read these off-kilter plot points as important to the story or as symbols for something else.
Because the book included a lot of absurd or non-logical events, places, and characters, it was difficult for me to care about the plot. I often wondered, when does something move from “magical realism,” to “nonsensical?” If anyone might do anything at any time, because there were no rules, why would I care about these particular people? The characters were also often indistinguishable from each other. There was the evil President and the pure and good girlfriend of Taduno, but beyond that, the dialogue could have been spoken by anyone.
The book did explore compelling themes. A main theme was the capacity of the work-a-day person to forget atrocities that happened in the recent past or were currently happening. After Taduno was exiled for making music, the people of his country literally were unable to recall anything about him. Another theme was the ability of art to make a real difference in people’s lives, by fighting the government or creating unity among a people.
Atogun also had flashes of brilliance regarding corruption and power. For example, this exchange, between Taduno and the President, after the President had him arrested for playing guitar in the street:
‘You believe my order was unjustified?’
‘Yes. It violates my right to make public music.’
‘You do not have rights. No one in this country has rights. This is not a civilian regime, this is a military regime, see?’ The President smiled triumphantly.
‘Well, I want my rights. Every citizen of this country wants their rights.’
The President shook his head in astonishment, unable to understand why anybody wanted rights under a military regime. He laughed in amusement.
Although Taduno’s Song had some interesting or effective elements, generally the nonexistent characters, wacky plot, and inconstant writing made the book dull to read.
3/6: more good than bad